When the comedy of Mahmud gave release in the examination of the habit at the airport

Mumbai, September 28 (IANS). If there is a matter of comedy in the Hindi cinema, is Mahmood Ali, a name that immediately comes into the spirit, who knows people named Mahmood. This versatile artist, who was born on September 29, 1932, played such a magic on the silver cloth with his unique comic timing, flirtatic style and cordial simplicity that the audience lasts even after decades of the audience. The actor, producer, director Mahmood not only lived every character, but made him immortal. In his career from 1950 to 1980s, Mahmood performed in about 300 films, but his unique talent to do comedy was his real identity. Bhola’s role in ‘Padosan’, Khanna’s carefree style in ‘Bombay to Goa’, or the emotional story of Rickshawale in ‘Kunwara Bap’, Mahmud killed every role. His laughter not only brought entertainment, but also brought the truths of society to a light way. Mahmud was not just an actor, he was a storyteller who took the life of the ordinary man on screen through his characters. There was such a mixture of humor and sensitivity in his films that the audience laughed emotional. Mahmud was previously dominated in each character. Mahmud was called the King of Comedy, his humor was not only limited to films, but he was present at every moment of his life. His unparalleled attendance and comedy saved him from difficult situations several times. His biography ‘Mahmud a man of Manny Moods’ recorded a similarly funny anecdote, who tells how a father imitated his angry son, made a serious atmosphere happy and released in the Custom Office investigation. This story has been returned from an international visit with his son Lucky Ali since Mahmood returned. Officials at the Mumbai airport stopped him and thought he had brought more than the prescribed amount from abroad. The process of investigating the authorities was quite complicated and boring. Repeated questions were angry with Mahmud’s son Lucky Ali. Lucky Ali got angry and said to the officer, ‘Do you know who you’re talking to? This is my dad mahmood! ‘ It was a natural reaction to the son of an actor, but for Mahmood it immediately became a chance of comedy. While officials were serious, Mahmood immediately began to copy the anger of his son and a loud voice of his voice. He has the same rule, “Do you know who you are talking to?” He repeated many times by making a face in a film style. His comedy was so funny that not every person could live at the airport without laughing. Adjusted officers couldn’t stop laughing either. Mahmud immediately relieved the tension and serious atmosphere of that moment with his spontaneous comedy. It was only after this act that the officer acknowledged Mahmud and that his investigation was lightly eliminated. These anecdote proves that Mahmud’s comedy was not just an art, but an integral part of his personality. He always acknowledged that even in the most serious situations of life there was a chance to laugh, and this result made him a great artist in the history of the Indian theater. -Ians jp/as