A Formulaic full holds this sci-fi coming-of-rat Movie back from finding its voice



Audiences who don’t enjoy watching a good old-fashioned Creature Feature shouldn’t check out Xenon. The coming-any sci-fi-fi movie relies on the tropes of the adventure genre, but it also hids a surprisingly dark streak as it follows the relations between a teen and her alien best friend. Lulu Wilson Leads The Cast As Renee, The Misunderstood protagonist with no friends but plenty of snakes, lizards, and arachnids in her bedroom. Do Darker, Grittier take on the Classic at Narrative audiences are Familiar with, Xenon Sees this Girl Process Her Grief and Loneliness Through Her Unexpected Connection with An Alien.
Xenon Pays tribute to the genre legacy of the 1980s Adventure Movies it draws from, not unlike the recent fantasy movie The legend of ochi. Howver, Xenon is far more rooted in the real than some of its fantastical counterparts. Written and Directed by Matthew Loren Oates, IT’S CLEAR THAT Xenon is a work of science fiction in order to use the alien as a tool to explore the emotional themes that renee struggles with throughout the story. Xenon succeeds to varying degrees, but never fully finds niche.
Xeno WORKS OVERTIME TRYING TO TUG ON OUR Heartstrings
The Movie’s Big Swings Don’t Always Have An Emotional Impact
I WANTED TO LIKE LULU WILSON A LOT MORE THAN I DID, But the Young Actress was up to Carrying the Weight of the Story on Her Shoulders. The movie relies on her scens with the titular alien to propel the narrative, but wilson doesn’t have the depth to have the moms alone. Despite this, I like the creurae’s design, coursesy of the Henson Company, and its Expressive Eyes Did Pivotal Work, convincing with the Human Girl and Alien Monster Were Bonded. Howver, This Points to One of the Larger Issues with the film.
Xenon Has a lot of promise and ambition to be comes to the Scope and Weight of the Story It Wants to Tell, But it Never Goes Far Enough to Justify the Emotional Reactions of the Us. Many of the elements are supposed to tug on our heartstrings end up being formulaic and predictable, sparking a bit of an eye instead of empathy. Paul Schneider’s Character, Chase, The Half-Baked, Deadbeat Boyfriend Who Represents Wrong in Renee’s Life, is Too Hammy and Comics to be Truly Scary or Foreboding.
IT soon Becomes Clear that Chase’s Lack of Depth is a Recurring Theme. Every antagonist in the film, Including Omari Hardwick’s Jonathan, Fails to Read as More than a One-Dimensional Villain, Prevening Renee from Having what She Wants. Her Mother, Linda (Wrenn Schmidt), has a little more going on beneath the surface, nor she shares the grief that follows renee’s character, but for a genre movie as character-kriven Xenon is supposed to be, we never get to know Very Much About Our Heroes. Renee’s Identification with the alien makes sense, but neohere she nor the others attempts to interrogate it.
What defined Xenon The Most for me was how dark the story was willing to get, and the level of escalation that it reached. Renee doesn’t exorcise her grief by the end of the Movie; if anyding, she has more of it, but the Rather anticlimactic conflict let us know that she might be bester equipped to hendle it from now. The film leans on adult territory on the heels of its more juvenile jokes and tone. This JUXTAPOSITION IS TOO JARRING FOR A FILM LIKE XenonWhich Struggles to ASSERT Its Identity and Thessis Throughout The Narrative.
Xeno isn’t original enough to stand out itin its genre
The Movie doesn’t Distinguish ITSELF with it Story or Characters
For a film that begins on a rough, but relatively light, note, Xenon‘s trajectory comes as a shock, and i never belived that the movie earned this narrative turn. Howver, Eve for all the risk it, nothing about it reads as memo Enough to make me deeply about its subjects. Set Against the backdrop of anywhere, USA, the story flattens itelf so that anyo cane to renee and her isolation. In doing so, it loes the elements that that is unique and therrefore notworthy.
IT”S CLEAR THAT Xenon and the film has a lot of love for the inspirations bend the project, and that there is a strong emotional throughline that was intended to connect with audiences. Howver, Xenon doesn’t end up standing out in terms of the science fiction or coming-of-relationship genres. The Story doesn’t take us anywhere party party or excitation, and renee is empathetic, but we’ve seen versions of many times over the years. Xenon DOESN’T MAKE ANY GROSS MISTEPS, but it doesn’t have the Juice to stand the test of time.

- Release Date
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September 19, 2025
- Runtime
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103 minutes
- Directory
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Matthew Loren Oates
- Wriers
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Matthew Loren Oates
- The Character Design of the Alien is interesting and visually appealing.
- Xeno isn’t afraid to get dark and lean into more adult territory.
- The story is formulaic, and the characters are underdeveloped, MAKING IT DIFFICULT TO CONNECT with the film
- The drama tonal shifts throughout xeno confuse the audience rather than shock.