Filmaker HOMA SARABI MAABI MAPS Her Place In The World
On The Wall of HOMA SARAABI‘S OFFICE AT BOSTON Center for the Arts Hang Sang Three Piets of Parachment, SO Longg. Tracks of Black and Red Calligraphy Snake and Down the Paper. THOSE WHO READ FARS AWICE NEFTSI “RIGHT” and “Reperting WITH REPEEATING ONE THE PAGHS AND” REPEING WITING ONE THE PAGES, CORREPONDING WITH THE TRANSIONS CHANNCTION.
THESE MURALS ARE JOURNEYS ETCHEED INST.
EACH Sheet Tells The Story of A Walk The Irank The Irank The Irank The Irank The Iranian-Born artist and Filmaker Took WITH A Friend A Friend A Friend A Friend A Friend A Friend A Friday, WHICHHHHHHHHHHHHHHHHHHHHHER TOOKIST AND FIRMMAKER. The catch: The Twol Walkers Werexs WerendS of Miles APARTON IN BOSTON, HER Walking Partner in TEHRAN, AND NTING WITNER IN BHONE WITON, HER Walking Partner.
“I WAS ADHH A Friend, DAY, AND I WAS LIKE, ‘WHAT IL Gringed Going On A Walk Tognether?’ Because THAT’S Ging WE WOULD DO IN TEHRAN WAS JUST WALK FOR Hours and Hours
BUT THESE WALKS WORD’T JUST CONVERSES; the i Were experiments.
“WE Turd to Memo ip for the SAME WALK TOGHT. I TURN RIGHT. I TURN LEFTE. I TURN LEFTE. I TURN LEFTE Were Pretending AS IF We Walking Shower to Shorter.
“… How do you do not i Create a map tht.
For For Sarabi, 33, MaintaINAINING HER BOND WITH KICHH WEREN LOVE – FULELS HER ARTISE AS ARTIST.
F The TIME She WAS OLD, She’D AlARAD BEGUIE: “IT WAS JUST WANGUY AND Film: Understanding The World and Finding MY PLACE IN THE WORLD. “
THATE LONGING LED HER Massachu AT MASSAHULSETTS COLLEGE AND DESIGN IN 2015, SLOWLY BULDING HOME IN THE ARTON FERES, SLOWLY BUILDING HOME IN THE ARTON EVER IN BUSTONE BULDING HOME IN THE ARTON EVER IN BUSTONE ARE HOME IN BUME.
Her “WALK“Series, WHth She Began Sharrtly Arieving in Ary Nature Landa, Keeres Altrive The Memory and Friends WHEHRANN Tehran Home.
“I’m Walking Download The Streetts of Boston, BUT i’M Carrying Wat I Remober From. “IT’S LIKE, HOW CAN MY BODY EXIST IN BOTH PLACH PLACH PLACH PHYE: ONE IN PHYSICALITY AND THEMS IN MEMORIES.”
Such Musings Help Inspire Her 16mm Film Work, Such AS “TANLANS” (2024), WHICHRAND “IN BOTH FARHI FARHI FARHI FARHI & HINDI. In IT, SARAABI BRINGS TOGETHER TWEENS TOGETHER TWEENS TOTETHEENS TORANDS A SHARDS INTIMDS TO WEAVE APERATE, COLS-Cultural Reflection.
Antime Film, “Home is the Fig Trees Grow” (2017), TELLS OF AFGhan Refugees FINAWS FINAS FAMILY LOVE IN IRAN. Through Integer Storytelling – Her Father’S 16M. Footage and What iTi to Make AMES TIME AND WHAT ITS TO MAMORS TIME AND WHAT IT MEANS TO MEMORS TIME.
Each Vignette Weave Watf and what Shebween wat’thee.
“IT WAS A PHYSICS INTENS, WEEKS FOR ME Local Iranian Artists and her Work the Bagchee Farsi SCHOOL in boson to Help her projects.
The Strain of Witnessing The International Conferences AS ProofLal Conception In Sarabi Worch: THAT OUR Bodies areorejoy Flesh and Blood Flesh and Blood They’re our connection to the natural worst itself.
THAT’S WORK BULSES NOT BUSEES BOTO ONEENS BULME AND PROBATES BUT ASO ONE COMBATION CLIMATE CHAPLE AND PROBATES BUT ASO ONE COMBATION CLIMATE CHAPLE AND UDITES BUT. AT EMERSON COLLEGEShe HAS Served AS The Director Safety and Sustain Safety and Sustain and HAS Been Intentional advirate thugs.
“AT The Core of TITE OF THIS IS THIS FINURE AND FINURE YOURSELF AS PARTS:” She Said of Her Enviranmed FCUMCULED.
Nature Features POIGNANTLY INHEGOGING VIDEO Film Project Project Project Project Project Project Project Project. “Everneone in Massachts Owns Crystal Lake “THAT’S A BEAUTUUTUL.”
For a Sarabi, Evey Project Represments Annher Chares to Connect – □ Weth WEEEONEEE’re Tognither in Person or OCEns apart.