Hollywood Performers Union condemns Ai-generated actress Tilly Norwood

* Sag-downs demand that creativity ‘remains’ human-centered’ * synthetic performer, gets world debut at the conference in the Zurich * producer behind the project says talent agents who take note of * AI scoring at the USC Media Technology Center’s interest are high by Steve Gorman, Danielle Broadway and Dawn Chmelewski Los Angeles, 30 Sept (Reuters) -The recent debut of an AI-generated “Actress” Actress “Dubbed”) Tilly Norwood, and his producer’s interest of interest from studio drivers, caused a setback from the SAG-downsee Union on Tuesday, which condemns the replacement of human artists with ‘Synthetics’. The Hollywood buzz around Tilly Norwood, which was launched at a conference in the film industry in Zurich on Saturday, and the union’s shocking reaction to it reflects the dreaded many people in the creative community about the intersection of artificial intelligence and show business. The official launch of Tilly Norwood consisted of a 20-second appearance of the photo-real-character-a fictional fictional in-twenty-one-and-twenty-one, with no specific agreement with any real celebrity non-short video parodia about making an AI generated television program. Dutch actor producer Eline van der Velden, whose AI production studio particles created 6 in London, created Tilly Norwood, said during her presentation at the Zurich Summit the project started turning heads. After months of skepticism of the boardroom, talent agents began to say, “We have to do something with you,” “Hollywood Trade Paper variety quoted Van der Velden. She said an announcement of a first-of-his-kind talent agency agreement was a few months away, Variety reports. Concerns about Hollywood actors and writers who were exploited and even replaced by AI-generated scriptures and artists were a big problem Sag-down’s most recent contract round with studios and streaming services. Computer-generated images are nothing new in the film and television industry, and AI-enhanced software has emerged more recently in different effects, such as ’emerging’ technology that enables actors to portray younger versions of themselves. The ability to convincingly repeat a function-length human film performance with AI stand-in is still seen so far. ‘Many real emotions’ Nevertheless, the prospect of talent agents suddenly showed interest in AI-created figures a quick denial of SAG-down, representing 160,000 actors, broadcasters, recordings of artists, stunt artists and other talent. “Creativity is and should remain human -centered,” the union said in a statement. “The trade union is opposed to the replacement of human artists by synthetic drugs.” The parody video, which first appeared in July, actually consists of 16 AI generated characters. But Tilly Norwood – a desired figure with a shoulder -length brown hair, brown eyes, a British accent and her own social media profile – was the star. A separate Facebook post attributed to the character exclaims: “I can be generated, but I now feel very real emotions. I’m so excited about what’s coming next!” Soft-offside officials were not amused. “Being clear is” Tilly Norwood “is not an actor,” the union said in his statement. “This is a character generated by a computer program trained on the work of countless professional artists – without permission or compensation.” Van der Velden tried to kill such concerns in an Instagram message and said Tilly Norwood “is not a substitute for a person, but a creative work – a work of art. Like many forms of art before her, she raises the conversation, and it shows the power of creativity in itself.” Van der Velden was more challenging in an interview in July with the Broadcast International publication, which cited her: “We want Tilly to be the following Scarlett Johansson or Natalie Portman, that’s the purpose of what we do.” Not everyone is convinced that Tilly Norwood is packing so potential. Yves Berquist, director of AI in media at the University of South California’s Entertainment Technology Center, calls the Hoopla ‘nonsense’. “There is a lot of understandable nervousness and fear of talent being replaced,” he said. But judging by his own daily interaction with the managers of Hollywood, Berquist said there is no interest from ‘serious people’ in developing completely synthetic characters. “Scarlett Johansson has a fan. Scarlett Johansson is a person,” he said. (Reporting and Writing by Steve Gorman in Los Angeles; Additional Reporting by Danielle Broadway and Dawn Chmielewski in Los Angeles)