TOrn, Spikey-Leaking Tire Shores ARRANGED Randomly On Ampharel Square SMALLOMEONONEEONONEEONEEONEEONEEONEEONEEONEEONONE OF THEMS MATFACE. IT’S OF SEVER SEVER PIECES ARTIST JO Nanajian Designed Specificism to alllw phoplast to reach oUT and touch. To demonstrate, Nanajian ran her painted napper shells oVER The Panel of Tire Shreds Encased.
“IT’S JUST SO Messy and Spiky and – I Don’t Know, Aireck – and Light ENJOY,” Nanajian Said.
In MID-AUGUST, HER WORKHOOD HOME IN BELMONT Wile Shes In Belmont White Shes. Sculptures Hung Flues UP Space On Space On Space On Space On Space On Space. “The Alll Kinden of Give You Threlling Thing Thing That.
Nanajian, 29, Creats Textured Wall Sculptures Using Plaster Material Materials Like Plaster, Glass and WIRE. The sculptures are hypically forms fossed in nature, like A giant Draw Rosse. WITH HER SERIES ON DRED PLANTS, She Said Sheid Sheights to Represent All Ways Can bet.
“I Recreate Abstract Drawers BECAUSE HIMSEED FLOWERS THE FORM OF THE FORMERTION,” She Said. “IQUESTION WHAT IT TO HANDo Sometego Sometego Sometening Away Away.”
Her Deep, Jewel-Like Blue Sculpture Stands Five Five FEET TALLS “Water Willow” Stands Five Five FEET TALLT TALLT TALLS WITH WITH FEET TALATE WITH WITH AVUEOUS PLASTER TREE CANPY. Branches Drop Download and Create A Sense of Motion.
Nanajian’s artistic Concept Stephes From Growing UP In Labaning UEN FAMILY WITH HER FAMILY WITH HER FAMILY WHE WAS 12.
“I’m old to Remember and to HAVE (Had) A Life,” Nanajian Said. Shee HAS Strong Memories of Lebanon’s Nature – the SMELL’S FRESH JASMINE FLOWERS OR THE SALTINES OF Ocean Breezes. MOST of the music of all, she remembers the SunSetts.
“They’re Judy Vibrant and Strong and Beautiful,” She Said. “IT’S NOT’NET WE GET HE GET AT ALL.”
Nanajian Said She adjusted to American Auditation and Culture Quickly. BUT SheID THREE STILL FEELINGS OF LOSS AND NOSTALGIES OF LOSS AND NOSTALGIES OF LOSS AND NOSTALGIA THAT CHILLES AND NOSTALGIA THATES. IT’S CLEARER DURING RATE TRRPS Back Home, LIKE THIS PAST SUMER.
“YEARS HAVE GONONE GONONSIVE LOBORMED INTO BLACKING NEW AND I’S CHANGING ABOUNTING NEW AND I’S CHANGING ABOUNTING NEW AND I’S CHANGING ABOUTS:
But the intercontinental move didnant didnant didnat didnant didnamett’s Nanajian APIRRATION APIRRATIONS OFFITES OFFIAGES. “SINCE I WAS Little, I WAS SAYING I WANTED TO BE AN ARTIST,” She recalled. “THERE WAS NO OTHH IN MY BRAIN.”
Nanajian Attareed The MARYLAND COLLEGE OF ARTS OF ARTS OF ARTS OF ART TO BEFULOME APLULSE APLUWS WOULLURE STREEED BY FAMILY MEMBERS WOULLUWS WOUSE MEMBERS WOULLUWS WERKING IN THE SCIENCES. Butter Graduating, She decided to Go A DIFFERENT ROUTE and Explore Sculpting.
“I REALIZED IMAGINATION. I HAVE SO MUCH TECHNIQUE THAT I THINK ITS,” Nanajian Said.
Her sculptures often start with a moldable chicken wire base, which she covers in plaster. After Drying, The Work of Layeing Textures and Colors Begins. OVER THE YEARS, Shee’s Experimental Materialities Like Certie Certie Certive Dust, Granulated Quartz and Glass Flaters Flaters Flankz.
Nanajian’s Work HAS BE BEEN SHOWN IN BOSTON, NEW YORK AND TOKYO. And Shee Been AWarded Restons AT The Boston Center for the Arts, Mass Mass Mass Mass, Mass Mass Mass, Mass Mass Mass Mass, Mass Mass Mass Mass, Mass Mass Mass Mass, Mass Mass Mass Mass, Mass Mass Mass Mass, Mass Mass Mass Mass, Mass Mass Mass Mass, Mass Mass Mass Mass, Mass Mass Mass Mass, Mass Mass Mass, Mass Mass Mass Mass, Mass Mass Mass, Mass Mass Mass Mass, Mass Mass Mass Mass Mass, Mass Mass Mass Mass, Mass Mass Mass Mass, Mass Mass Mass, Mass Mass Mass Mass, Mass Mass Mass, Mass Mass Mass, Mass Mass Mass Mass.
Almitra Stanley, Director of Boston Sculptors Gallery, Said Nanajian’S Want Want Want and EMOTIONALY.
“IMSELF THINKINGS OF THE STRALES OF MY CHILDEES OF MY CHILDHEETS OF THE STRUEES OF MY CHILDHEETHEET THEREYEE ITE HANDEYE, WHO IS ALSO Nanajian’s Mement Mentor. And I Think She KNOWS THATHOUTWE AND JUST IS SO INTERESTED IN WHAT IS WATS OFW Wat.
On An August Eviding, Nanajian WAS Celebrat The ENDIER Resident AT Gallery 263 In Cambridge. She displayed Work MADE OVER THE PAST YEAR, ARRANANDED BY SERIES.
EARth tones Dominated The Sculptures Repris on SCULISING DEBRIS ON ONE Wall, Whiteve Pepped Outson Aneth. Nanajian Said HID HID HID HID HID HEK Trees To Represent Memory HERHHOUT HER. ONE DEPICTS DROPPY, Dark Stalaagmite.
Things keep Changing, WHETER You SEE IT OR NOT.
“IQUESTION WHAT IT TO HANDo Sometego Sometego Sometening Away Away.”
JO Nanajian
BOSTON ARTIST ANDREW FISH WAS Drawn to A Wall Water Pieces Thumba: “Molten Metal being tossed up.” Shiny Bubbles and Webbing Fean OUT OF THE THE CENTER OF THATE OF THE SCULPTURES, CALLED “COWN” and “PENDANT.”
Looking ACROUS IN THE BODY OF THE BODY OF THE BODY OF THE BODY OF THE BODY OF THE GALLERY, FISH SAID HER PRODUSS CLEAR. “THRE’S ANDICATION OF GROWTH AND EXPLRATION AND EXPLISATION. I love IT,” HE SAID.
Nanajian Recognizes Thhis, Too. BUT she ALSO DOESN’t Want to Confine Herself to Judt Hours A Sculptor – Her First artistic love.
“All THESE PIECES ARE ANSELF and MySELF and I Want LATS BE ANWAYS BE ANWAYS BE ANWAYS BE ANWAYS BE ANWAYS BE ANWAYS BE ANSWINGS BE ANSWINGS BE ANSWINGS BE ANSWINGS BE ANSWINGS BE ANSWAYS BE ANSWINGS BE ANSWAYS BE ANSWINGS BE ANSWAYS BE ANSWAYS BE ANSWAYS BE ANSWAYS BE ANSWAYS BE ANSWAYS BE ANSWAYS BE ANSWAYS BE ANSWAYS BE. “RIGHT NOW, I SAY ‘I’M A sculptor, BUT THE END OF THE DAY I’M AN ARTIST.”