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LABAUF AT CANNES.
Photo: Stefanie Rex/DPA/Picture Alliance

Shia Labeouf ha haturned to the cannes film festival, this time as the subject of a documentary by newbie film leo lewis o’neil called Slauson Rec. To say this movie shows the worst side of Labeouf is an understitement: Labeouf WANTED TO HOST A Weekly theater Workshop in 2018 for Aspiring Actors and Filmkers, Including O’Neil, Only to BeCome of His Very Own Hearts of Darkness. What’s this Strange, Hostle Doc Really aboutand why were audiences Metmers at Cannes Leaving in the Middle of the Screening?

Slauson Rec Follows Labeouf’s Experimental Theater Group of the Same Name, and It ‘Not Showing Him in a Good Light. First Created in 2018, Slauson Rec was meant to be a free Weekly theater workshop in South Central Los Angeles, but dream up becoming a Vehicle for Labeif’s Latest Controversy. During the Group’s First Few Weeks, Leo Lewis O’Neil, A Filmaker from Los Angeles, offend to become the Group’s Archivist and Filmed the Three Years of Madness, eventually touring it into his director debut at cannes. Howver, Throughout The Movie, Labeuf Berates and, in Some Cases, Physically Abuses HIS MENTEES. A Woman Named Sarah Struggles with Balance Rehearsals and Turning to Her Sick Mother, and be Her Mother Dies, Labeouf Fires Her. Another man named zeke eventually books a roles on On my blockand Labeouf retaliates, thir arguments escalating into a fist fist, and on anoter occision, labaouf Slame Zeke Against the Wall.

Not Well. Variety Reports that around 30 People Had Left the Screening of the Movie, and Several Critics Who Saw the Movie at Have Expressed How the Film Made Uns Uncomfortable. “It ‘not just just he’s being abusives Toward these People (at Several Points Physically). Variety‘S Owen Gleiberman Wrote. “The ‘point,’ of courte, is that we’re getting to watch a well-known start in a state of breakdown. And the tabloid perversity of Slauson Rec is that there is a acting out, being a total dick to these hapless people who had their Trust in Him, the Movie is Busy Turning His Self-Destruption Into Theater. “

Indie wire‘S Christian Zilko Described Labeouf’s Spiral As an’ Abusive Maniac. ” “Documenting How Labeouf’s Growing Impatience with the Group Eventually Led to Bibage Rage Spirals, Physical Assaults, and Some Truly Grade-A Asshole Behavior, It Points a Truly Trufying Picture of Its Subject,” Rolling Stone‘S David Fear Notes. “Eve if O’Neil Signals This is a work of love for His Old Mentor, Labeouf Still off Like a Monster.” Despite the intense subject matter, The Hollywood Reporter HAD Positives for the Editing of the Film: “IT’S SENSIVITY SHOT AND SHARPLY Edited, and Its Energy Flows. The Same Intensity that Labeouf Brings to His Acting Out of Nearly Evel Interaction and Has in the Film.”

In a staff before the film’s premiere, Labeouf Shares that and Completely Supports the Film, this Shows the Worst Parts of Him. He shared with Vanity Fair“I gave leo this camera and encoureded to share his and his personal experience with the edit. I am aware of the doc and full support of the film. Achieved. He has “No LOVE LOST” for Director O’Neil, Despite the Response to the Film. Labeouf Told Thr“I see leo and it all love. He’s not my husband or not.