Varanasi News: Triveni of Book Music in Hanuman Lala's Anganai, the tone of Hanumat Aradhana with the whistle of 'Hari' music flowed into the Hanuman Lala courtyard in Varanasi

The first presentation of the version became unforgettable for music rasikas. Padmavibhushan pt. Hariprasad Chaurasia with Mahant prof. Of the Sankat Mochan Temple. Vishwambharnath Mishra played a beautiful Pakhawaj. At the request of Pt. Hariprasad Chaurasia, prof. Vishwambharnath Mishra played his flute on Pakhawaj. Vivek Sonar and Vaishnavi Joshi supported flute play. Ashish Raghavani composed on the tabla. Jagran correspondent, Varanasi. The Hanumat Prabhu Court got wet all night with the flow of triveni of music through the rhythm of the music and the rhythm of the dance. In this, the artist continued to attend the whole house and the listener continued to move to the spirit. The first Nisha of the 102nd event of the Sankat Mochan Sanget ceremony was in this way with the aura of her musical Tarunai. The first presentation of this issue became memorable for music Rasikas on Wednesday. Padmavibhushan pt. The whistle of Hariprasad Chaurasia broke out the voice of Hanumat Aradhana, at his request, the Mahant of the Sankat Mochan Temple, prof. Vishwambharnath Mishra, performed the brilliant-yardggar Pakhawaj together. Once the tone of the Raga Vihag echoed with the flute, the atmosphere tied with melodic ribs. Vivek Sonar and Vaishnavi Joshi supported it. Ashish Raghavani supported the tabla. Pandit Rahul Sharma performs Santoor Vadan at Sankat Mochan Sangeet Ceremony, Pandit Ramkumar Mishra on Table. In the second performance, Jagran, Bangalore dancer Murali, offered Bharatanatyam. From dance on ganga -lof, he sends a Bhajan from Meerabai ‘Hari Tum Haro Jan Ki Pir’ at the sanctuary of Sribarrangbali. The audience received a lot of praise by performing attractive dances on the creation of Sant Purandardas. Locked with a dedicated creation devoted to Mahakal. As Navsadhika, he first made a presence in the Hanumat Durbar. Air India Express, also read from May 1, from Varanasi to Ghaziabad, from May 1, launched by Air India Express, pt. Rahul Sharma, who is from Mumbai, requested Sangetetanjali at Hanuman Lala’s feet with playing Santoor. He overwhelmed the audience by playing Alap, Joint and Jhala in the Raga Jhinjhoti. During the Ascension, the hand action of hands was unmatched. Pt Ajay Pohankar, while sang on the fourth program of the first day of the 102nd year of Sankat Mochan Music Festival, Pandit Samar Saha on Table, Paromita Mukherjee on dialogues, Gauri Banerjee on Sarangi. Playing the nature of the Raga captivated the audience. He played two compositions of one and three language in Roopak. The play of the Bergtoy forced the audience to swing. Pt. Ramkumar Mishra of Banaras Gharana acted on tabla. Dr Ajay Pohankar, who came in the fourth performance of Mumbai, seized the tone. Shakeel Badauni’s Ghazal ‘Zindagi Aaj Tere Aar Pe Roa Aae …’ is captivated by smooth singing. Pandit Samar Saha of Kolkata on Table, Paromita Mukherjee of Delhi on Samvad and Gauri Banerjee of Delhi on Sarangi. (Mridangam), pt. Praveen Godkhindi (flute), pt. Vikas Maharaj and Vibhash Maharaj (Sarod-sitar), Rohit Pawar (Kathak) waited late at night by Saurabh Chakravarti and Vyomesh Shukla. Bharatanatyam Dr. Rajesh Shah – Sitar pt. Ajay Chakraborty – Singing Vivek Pandya – Table Solo Pt. Purvayan Chatterjee – Sitar Sohini Rai Chaudhary – Gayan Manjunath -Nagaraj Madhavappa – Vayaline Pt. NEGAJ Parikh – Gyan downloads every big news from your city, now the most reliable fellow news of local news.