Final destination 7 in development as bloodlines become the franchise's highest growing film

‘Final Destination 7’ is officially in the works after the great success of Bloodlines, which revived the franchise with a worldwide $ 286 million box office. Lori Evans Taylor returns as a writer, with the original producing team on board. ‘Final Destination 7’ announced after the success of the Box Office of Bloodlines. Horror fans, get ready – ‘Final Destination 7’ is officially on the way. After the massive success of ‘Final Destination: Bloodlines’, New Line Cinema moves forward with a seventh film in the long -standing franchise. ‘Final Destination’ to return with a seventh film in the Franchise Lori Evans Taylor, who wrote ‘Bloodlines’ together, is back to write the new installment. The previous film revived the series after a 14-year interruption and proved that the appetite for creative, death deficit horror remains strong. Taylor teamed up with Gary Busick for ‘Bloodlines’ and introduced a storyline where the curse of death continued through generations. ‘Bloodlines’, the sixth entry in the franchise, was released in May 2025 and debuted on the global box office at number 1. It earned the US $ 51 million in the Opening Weekend-the best launch in the 25-year history of the series. It went further to earn $ 286 million worldwide, making it the highest ‘final destination’ film so far. The ‘Final Destination’ series, known for its inventive death scenes and the idea that you can’t cheat death, has now brought more than $ 983 million worldwide. It is the third largest horror rank of New Line, which sits just behind the Conjuring Universe and the IT films. More about the film that returns to produce the new film is Craig Perry, Sheila Hanahan Taylor, Jon Watts, Dianne McGunigle and Toby Emmerich. Warren Zide, who has been involved in the series since the beginning, will serve as executive producer. No exemption date or cast details has been announced yet, but with ‘Final Destination’ 7 now in Development, fans can expect more stressful twists, almost-miss, and of course the return of the series’ True Star-Death self-expectation.