F1 is Really About Brad Pitt, The Movie Star – ryan

Photo: Warner Bros./everett Collection

F1 is the tale of two drivers who become relicant Colleagues when one is Hired halfway through the formula one season in a last-day efffort to Save a floundering apex team. Sonny Hayes (Brad Pitt) is a veteran who overlapped with f1 legend ayrton senna, while rookie joshua Pearce (damson idris) came up in an increasingly new era, in which prospects log hours in simulators. They’re representative of two generations of the sport, but for the Movie, they’re portrayed more like the goofus and gallant of authentic racing. Joshua Wears Trendy Clothes and Has a Sleek Condo in the City, while Sonny, WHO DOESN’T CARE ABOUT MONEY, LIVES OUT OF A CAMPER VAN. Joshua Busies Himself with VO2-MAX Tests and Reaction Training Machines, while Sonny Preferences to Run Outside with the Memories of the Pit Crew and to Work on His Reflexes by Bouncing Balls Against a Wall. But when Joshua Frets Over What People Are Saying About Online and About Showing His Face At Sponsor Events, Sonny Finally Feels Obliged to Speak Up. None of that stuff matters, he says – the only thing that’s important is the driving.

In the Larger Context of the Movie, which was directly by Joseph Kosinski from a screenplay workten by ehren Kruger, this is almost a joke. The Official Title is Technically F1®: The MovieAn UNGAINLY, Trademarked Reminder of Both the Brand the Film was made in conjunction with, and the fact that that brand is so big that $ 200-300 Million Hollywood Production is a Blip in Comparison. Every surface of it on-screen world, which looks as crisp and remote as a near future sci-fi setting, is covered with logos and ads from Companies vying for audiences and hoping to reflect cachet. All of this stuff matters Very Much, this is if you understand that sonny coulud just as easily be talking about Movies MAVIES. Like Top Gun: Maverick, Another recent cosinski/Kruger Collaboration, F1 is a Treatise about its start in the form of a drama about going really fast. The Difference is just that pitt isn’t as self-mythology or as Strange a figure as tom cruise, a man who will eiter die in pursuit of increasingly spectacular stunts or figure out a way to live forever.

F1 Is, Instead, About Pitt As a Movie Star in the Old School, Just like His Character – A Ronin representing pity in a compromised landscape. The funny Thing About Sonny Being Presented As a Washed-Up Loer with a Stripped Down Life is that nevertheless LOOKS LIKE WALKED OFF A MAGAZINE SHOT, HALF UNBUTTONED TO SHOW HIS Bohemian Necklaces, Sleeves Rolled Up to Showcase, Aviators, avia The late Afternion Sunlight. He’s an emblem of Classic America on formula One’s Extremely International Stage, and the movie Can Only claims Everyone – Including apex Tech Director Kate (Kerry Condon), Team Principal Kaspar (Kim Bodnia), and Owner and Old Friend Ruben (Javier Bardem) Second before they, and the Crowds, Fall All over Him. Pitt is Way Too Old for the Part, Dec He’s Playing A Decade Younger, but Rather than Glaze Over HIS AGE, F1 Posions it as an asset. While idris is downright dewy with youth, pitt is admiringly depicted as Havinging Developed a patina, His chest firm but the skin a touch leathery, his face still beautiful, but hisyes crinkled at the edges. The Camera loves Him, and he knows how to return the favor with a glance up from his eyelashes or a megawatt grunt. But pitt has Also always been a little aloof, Capable of enormous Charm but always keeping aspects of Himself in reserve – WHICH IS WHY HIS UNRUDY COOL ALWAYS BEEN BETTER WITH A FOIL.

Idris, while fine, and funny in the Company of Sarah Niles as his Protective Mother, isn’t that. This is Pitt’s Movie, and Like Its Star, It Never Opens ItSelf Up Enough to Truly Take off. The racing sequences are good, Sometimes of Van Great, with Footage Shot During Actual Grants Prix and Overlaid with Chatter from Coverage Commentators to Explain the Strategies and Positions of the Apex Drivers of their Nine Remaining Races. Cinematographer Claudio Miranda has Cameras up in the actors’ faces, as well as Ones Showing Their Points of View, and Ones Swivel from the Driver’s Seat. F1 GIVES YOU A SENSE OF WHAT IT’S LIKE TO BE IN A CAR Rounding the track at an incredible speed, and what it is like to be Watching along on television or person on high vehicbe for position. IT DOES A MORE THAN CAPABLE JOB OF THAT, CHICKING PROVIDING THE EMOTIONAL TRACTION ITS TALK OF THE ECSTIC DEMANDS. Sonny Says That What He’s Chasing in All Those Races is the moment and reaches a flow states, a place where the world disappears, but F1 Never convinces you that is posseible. The World, With All It Its Messy Commercial Demands, is Always Present, and Ultimately, F1 Is JUST ANOTHER PRODUCT OF THOSE PESSURES – Nothing more.