“Pamela Anderson is Marilyn Monroe,” said director Jia Coppola, after she chose her for her first dramatic roles in the movie “The Last Showgirl”, a work that celebrates the old Hollywood magic in a thin style.
Anderson won wide praises for her performance in the film, and even nominated for the “Golden Globe” award, in which she plays the role of a show dancer on her way to fading on the theaters of Las Vegas, an introduction to a warm performance that carries a smear of pain, but he also derives his strength from his symbolism, so Chile’s character in the movie is nothing but a reflection of Anderson’s life herself, a beautiful woman who has not taken her artistic ambition.
It is not difficult to see similarities with reality or the reason that prompted Coppola to compare Monroe and Anderson, in the opinion of Coppola, Anderson, like Monroe, for many years a woman “really yearns to express herself as an actress creatively (and she was really eager to show her talents”, but Monroe is not the best example of comparison, but rather what is more appropriate for Anderson is the star of the star The late Farah Faust, the heroine of the series “Charlie’s Angels”, who possessed a professional career bearing more similar aspects with what Anderson has gone through and what she might seek to achieve in the future.
After the tremendous success of her light series, which launched her fame, Faust for years was trapped in the roles of “The West Blonde” (if you were considering watching some of these roles, they completely avoided the movie “One of them killed her husband” Someone Killed Husband, who was uncomfortable with actor Jeff Bridges in 1978). Like Pamela Anderson, Faust was immortalized in the memory of popular culture through the Red Sea dress (Anderson in Baywatch, and Foste on the best -selling murals in history).
Although the movie “The Last Double Girl” suffers some defects, but he performs a performance from Anderson, which suggests the presence of dramatic energy in the form of formation, just as was the case with Faust, who excelled in a group of dramatic dramatic roles during the 1980s and 1990s, from the movie excitement about revenge “extreme ends” to social drama on the domestic violence “The Burning Bed”.
Faust from colon cancer died in 2009 at the age of 62, and her death did not have lengthy or deep coverage due to her coincidence with the news of Michael Jackson’s departure hours after her death was announced.
In her obituary, the focus was very focused on its last sad years that she lived in a toxic relationship with troubled actor Ryan O’Neill, as well as her eccentric public behavior, and her last cinematic role in 2004 in the comedy movie “The Cookout” starring Queen Latifa, as she played the role of a racist wife using the word “Negro” as one of the jokes, but the last appearance in front of the cameras was in the cameras. A number of reality television programs and documents in which they participated during the first decade of the new millennium, which were programs, according to the requirements of commercial television in that era, focused on uncomfortable curiosity instead of sympathy, and the Fost’s anniversary was often immortalized with metaphorical descriptions such as “sex symbol” or “the star of the popular newspapers”.
Faust’s career was not easy, in 1977, and after she withdrew from Charlie’s angels after only one season, a decision led to a legal dispute with the ABC network, she found herself under pressure from unlimited agents that they pushed towards participating in a series of films that were not successful, including the failed comedy “Sunburn” issued in 1979 and “Saturn 3” Saturn 3 in In 1980, the latter was a copy of the “Alien” movie, but with sexual scenes she collected with actor Kirk Douglas, 64, while she was in the 33r Sending questions about her latest separation from the actor Lee Megarez.
Payed with her strong desire to prove her acting skills, Faust decided to go to New York, where Susan Sarandon replaced in a bold play revolving around a rape survivic survival of her striker, and later the play was converted into the movie “Upcoming” in 1986, Faust played his heroism as well, and her performance in the film was amazing, she appeared with a fragile and tormented personality with a tone It is a slight madness in her pronunciation of the dialogue, the more her personality and disintegration, and this role was an extension of the soft fragility that she embodied in the 1984 “burning bed” movie, a TV movie in which she played the role of a wife and mother being exposed to domestic violence at the hands of her husband. Faust for the “Golden Globe” award was nominated for her performance, and in 2016, journalist Matt Zoller Sitz described her performance as “one of the greatest performances in the history of TV films.”
In 1986, Faust said that she was contemplating her career until that moment, that “it is certain that my image hurt me, yet it is also what made me succeed and in the end I can perform more challenging roles, that old image was so strong that I believe that it will not disappear easily, and I will have to present many good works, but it’s okay, I would like to achieve all my potential.”
But the opportunities were rare and far away. Faust agreed to a few cinematic roles after the movie “The Part Edfits”, among them the cooperation (best this time) with Jeff Bridges in the beautiful comedy “Arak in the morning” See You in the Morning in 1989, and the role of Robert Duffal’s wife in his rural drama “The Apostle” who was nominated for “Oscar” in 1997, In this role, Faust performed a very high performance, as it was flashing with light reactions against the dowry fluctuations, a 50 -year -old preacher planning to separate from him, while outside her transit appearance in the failed comedy “Dr. T & Women” in 2000 directed by Robert Altman, in which she embodied a figure who suffers from a nervous collapse and enters one of the public fountains, which is naked, and she is naked, This was the last real opportunity that required a distinguished performance from it.
“Everyone has his own moment, and if you miss that moment, it will become very difficult to restore it, the biggest enemy of a person like (Faust) is the time, people have a very short memory, and immediately their new favorite star appears.”
Perhaps the difference between Faust and Anderson may be in the audience, as the “last girl review” has received wide attention, and if we are honest, he has received a nomination of prizes due to the clear cultural desire to see Anderson succeed in experimenting, because it is really wonderful that one of the most famous icons of the nineties, which was very persecuted in an unfair manner, turned into an amazing dramatic actress in the late stages of her life, Isn’t it?
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Unfortunately, Faust did not have such good feelings at any time during her subsequent career, while Anderson had the sympathetic documentary opportunity offered by the “Netflix” network in 2023 “Pamela,” Pamela, A Love Story, to establish its representative return, while Faust was its share in 2005 a strange reality program that has not long long Character Farrah, focusing on the curious staring at her depression during her last years, and photographed her semi -imaginary marriage to O’Neill, as a critics described it, in the style of theatrical play “Who is afraid of Fergina Wolf?” Who’s Africid of Virginia Woolf? But without excessive drinking or throwing heavy things, “and after its last nomination of the” Golden Globe Award “, the whole world has become in Anderson’s hands, and how lucky it is because this happens to her now and not in the past.
The movie “The Last Double Girl” witnessed a theatrical show for one time followed by a session of questions and answers with Anderson in British cinemas during “February” last February, and was shown for mass viewing on the 28th of the same month.
