Mira Victor .. An Egyptian girl writes a new success memoir from “Can”

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At a time when the creative scene is crowded with names, an Egyptian girl emerged that decided to place that creativity doesn’t know limits, and that persistence can flip the dream into fact. She is Mira Victor, the media and actress who blended the talent of efficiency and the boldness of writing, to reap an global appreciation for the bother and art she equipped.

Within the French city of Cannes, the keep the spotlight is most regularly over the smash stars and global cinema makers, Mira took the honoring platform after a success the Easiest Actress Award for her characteristic in the movie “40 Days” inner the activities of the France The US IFF World Movie Festival. The victory used to be no longer transient, because it came to verify its distinction for the second time from the identical characteristic, after it had beforehand obtained a identical award at the Legit World Movie Festival in the US.

The movie, whose memoir used to be written and embodied, is no longer correct a dramatic work, but a human trip that shakes feelings. It opens the file of illegal immigration to The US, via the memoir of “Maryam”, the pregnant essential other who is in her husband, a scuttle fraught with dying, rivers and mountains, in an strive and reach the “American dream”. A harsh scuttle puts the viewer in entrance of existential questions relating to the categorical designate of dreams, and the suffering of these taking a look for a decent life replacement.

The success of the movie used to be no longer a coincidence, but reasonably the fruit of worldwide cooperation that gathered representatives from The US, Latin The US, India, Armenia and Africa, below the leadership of director Peter Takla, and the appointed director of famed Indian photography Shahehan Row. As for the soul, it used to be a pure Egyptian created by Mira Victor, who used to be inspired by the events of the movie from accurate details for formulating a artwork that touches the hearts earlier than the minds.

The memoir of Mira is no longer finest the memoir of an actress honored in global gala’s, but a mannequin for an Egyptian girl who believed in herself and refused to dwell in the shadow. She made for herself a pickle among adults, and raised her nation’s establish in global forums, to be surely one in all the ladies americans of gold, who encourage generations that success is feasible when the dream is mixed with work and may maybe maybe impartial.